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Extraction Summary
5
People
3
Organizations
1
Locations
2
Events
3
Relationships
4
Quotes
Document Information
Type:
Academic text / book page
File Size:
Summary
This text explores the history of cybernetic art in the 1970s, focusing on the shift toward "machinic ecosystems" where viewers became active participants. It details specific works like Edward Ihnatowicz's "Senster" and Tsai's cybernetic sculptures, analyzing how these machines were programmed to interact with human behaviors and environmental stimuli.
People (5)
| Name | Role | Context |
|---|---|---|
| Pask | ||
| Edward Ihnatowicz | ||
| Alex Zivanovic | ||
| Tsai | ||
| Robert Hughes |
Organizations (3)
| Name | Type | Context |
|---|---|---|
| ICA | ||
| Time magazine | ||
| Denise René gallery |
Timeline (2 events)
Cybernetic Serendipity
Tsai’s Cybernetic Sculpture show
Locations (1)
| Location | Context |
|---|---|
Relationships (3)
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Key Quotes (4)
"The visitors in those London galleries suddenly became “cybernetic organisms”—cyborgs"Source
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Quote #1
"one of the first computer controlled interactive robotic works of art"Source
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Quote #2
"Clap your hands—that gets the sculptures to respond."Source
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Quote #3
"Ihnatowicz sought to make an avatar of affective behavior."Source
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Quote #4
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