This document appears to be a page from a printed collection of writings by Clarisse Thorn, stamped with a House Oversight Bates number. The text discusses the intersection of feminism and the 'Pickup Artist' (PUA) community, referencing a specific blog post from February 2012 and a piece titled 'The Strange Binary of Dominance and Submission.' While part of a larger government production (likely related to the Jeffrey Epstein/MIT Media Lab investigation), the text itself focuses on gender dynamics, social calibration, and the author's personal reflections on these subcultures.
| Name | Role | Context |
|---|---|---|
| Clarisse Thorn | Author |
Inferred from the URL included in the text; author of the blog post discussed.
|
| Unnamed Gentleman | Subject of article |
Mentioned in the italicized introduction to the 'S&M' story as a relationship partner.
|
| Name | Type | Context |
|---|---|---|
| RoleReboot.org |
Website where the second article was originally published.
|
|
| House Oversight Committee |
Implied by the Bates stamp 'HOUSE_OVERSIGHT_018673'.
|
"Indeed, it could be argued that no PUA tactics are inherently abusive, but some are more obviously susceptible to being used badly... the same way a sword is more obviously susceptible to evil usage than a table."Source
"I must acknowledge that I eventually felt that the community was damaging, poisonous, and unhealthy for me -- to the extent that I needed to get out and detox."Source
"Perhaps inevitably, the feminist reaction to Confessions of a Pickup Artist Chaser was quite mixed..."Source
"If I had to summarize my relationship with this gentleman today, then ironically enough, I'd say that 'it got complicated and I'm pretty sure it's over now.'"Source
Complete text extracted from the document (2,624 characters)
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