HOUSE_OVERSIGHT_015184.jpg

1.32 MB

Extraction Summary

7
People
0
Organizations
1
Locations
1
Events
1
Relationships
3
Quotes

Document Information

Type: Manuscript / narrative excerpt (house oversight document)
File Size: 1.32 MB
Summary

This document appears to be a page from a manuscript, memoir, or creative writing piece included in House Oversight Committee files (Bates stamped HOUSE_OVERSIGHT_015184). The text describes a scene on a boardwalk featuring various eccentric street performers, including a glass harpist, breakdancers, and a 'Rastafarian yogi' attempting a dangerous stunt involving broken bottles. The narrative focuses on a specific moment of tension when a 'Jesus freak' interrupts the yogi.

People (7)

Name Role Context
Narrator Observer/Author
Recounting observations of street performers on a boardwalk (refers to self as 'I').
Unidentified Woman Performer
Plays violin while standing on her head.
Unidentified Man Performer
Plays music using water-filled wine glasses (glass harp).
Rastafarian yogi Performer
Attempting to jump barefoot onto broken bottles; speaks to the crowd.
Jesus freak Bystander/Interrupter
Interrupts the yogi's performance.
Unidentified Jogger Public
Jumps hurdles over garbage cans.
Unidentified Homeless Person Public
Foraging for lunch in a garbage can.

Timeline (1 events)

Unknown
Street performance by a Rastafarian yogi interrupted by a religious zealot.
The boardwalk

Locations (1)

Location Context
Setting of the narrative, likely a location known for street performers (e.g., Venice Beach), featuring garbage cans ...

Relationships (1)

Rastafarian yogi Conflict/Interaction Jesus freak
The Jesus freak interrupts the yogi's performance stunt.

Key Quotes (3)

"This is serious shit"
Source
HOUSE_OVERSIGHT_015184.jpg
Quote #1
"Look before you leap"
Source
HOUSE_OVERSIGHT_015184.jpg
Quote #2
"He who hesitates is lost"
Source
HOUSE_OVERSIGHT_015184.jpg
Quote #3

Full Extracted Text

Complete text extracted from the document (1,348 characters)

his hat because they’ re grateful to God that they don’ t have to do such
a bizarre thing to earn a living.
There is a woman who plays the violin while standing on her head.
And a man who has a table covered with wine glasses of different sizes
filled to varying heights with water, and he plays this musical instrument
by rubbing his fingers around the tops of those wine glasses. Audiences
gather spontaneously to here his rendition of a Mozart sonata or a
ragtime melody or the theme from Chariots of Fire.
There are breakdancers who bring their own personal linoleum-floor
sections, and a jogger who jumps hurdles over the endless row of garbage
cans lined along the boardwalk. He has to avoid one garbage can because
a homeless person is foraging for lunch.
If I had to choose my favorite moment on the boardwalk, it would
have to be the time a Rastafarian yogi was standing on the very top of a
wooden chair, preparing to jump barefoot onto a pile of freshly broken
bottles. “This is serious shit,” he reminded the large semicircle of
onlookers. And then, during the anticipatory silence, along came that Jesus
freak. Upon seeing this crowd, he edged his way in. Now the Rastafarian
yogi was poised upon that unseen edge between “Look before you
leap” and “He who hesitates is lost.” Suddenly the Jesus freak called
HOUSE_OVERSIGHT_015184

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