This document is a fragment of correspondence, likely an email from an advisor named Heather, discussing high-value art transactions with a client named Leon (likely Leon Black). The text details Leon's preference for using a specific commercial exchange agent rather than a gallery to maintain strict confidentiality during the purchase of Cezanne paintings and a previous purchase of a Calder. The author discusses the sales tax implications, the agent's New York resale certificate status, and plans to verify audit risks with a lawyer from the firm Herrick.
| Name | Role | Context |
|---|---|---|
| Leon | Principal/Client (Likely Leon Black) |
Discussing art exchanges, specifically concerned about confidentiality regarding purchases of Cezannes and Calder art.
|
| Heather | Sender (Advisor/Assistant) |
Advising Leon on tax implications and exchange agents for art transactions; author of the email.
|
| Herrick lawyer | Legal Counsel |
External counsel to be consulted regarding audit history of similar deals.
|
| Name | Type | Context |
|---|---|---|
| Herrick |
Law firm (likely Herrick Feinstein LLP) consulted for legal advice on art transactions.
|
|
| House Oversight Committee |
Source of the document (indicated by footer stamp).
|
| Location | Context |
|---|---|
|
Location where the exchange agent holds a resale certificate.
|
"Leon did not want to use a gallery because he was concerned about confidentiality"Source
"He said to use the same exchange agent as before, which made sense to me because he was extremely concerned about confidentiality with the purchase of the Cezannes."Source
"I said that a gallery carried little to no risk on the sales tax side"Source
"The exchange agent has had a New York resale certificate since 2014"Source
Complete text extracted from the document (1,230 characters)
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