HOUSE_OVERSIGHT_028318.jpg

1.57 MB

Extraction Summary

13
People
7
Organizations
2
Locations
3
Events
3
Relationships
2
Quotes

Document Information

Type: Press clipping (internet)
File Size: 1.57 MB
Summary

This document is a press clipping from the online publication City A.M., dated October 13, 2010, for an art exhibition called 'The House of the Nobleman,' curated by Wolfe von Lenkiewicz and Victoria Golembicvskaya. The article discusses the London art scene surrounding the Frieze Art Fair, mentioning other concurrent exhibitions and quoting an art market analyst on the cautiously optimistic state of the market. The footer 'HOUSE_OVERSIGHT_028318' indicates this document is part of a larger collection, likely from a government or investigative body.

People (13)

Name Role Context
Wolfe von Lenkiewicz Curator
Listed as a curator for 'THE HOUSE OF THE NOBLEMAN' exhibition.
Victoria Golembicvskaya Curator
Listed as a curator for 'THE HOUSE OF THE NOBLEMAN' exhibition.
Timothy Barber Author
Author of the City A.M. article about the Frieze Art Fair.
Canaletto Artist
18th-century Venetian artist whose work was exhibited at the National Gallery.
Charles Saatchi Gallery Owner
Owner of The Saatchi Gallery, which presented 'The House of the Noble Man' exhibition.
Cezanne Artist
Artist whose work was featured in 'The House of the Noble Man' exhibition.
Manet Artist
Artist whose work was featured in 'The House of the Noble Man' exhibition.
Poussin Artist
Artist whose work was featured in 'The House of the Noble Man' exhibition.
Picasso Artist
Artist whose work was featured in 'The House of the Noble Man' exhibition.
Richter Artist
Artist whose work was featured in 'The House of the Noble Man' exhibition.
Murakami Artist
Artist whose work was featured in 'The House of the Noble Man' exhibition. An image of what appears to be his work is...
Hirst Artist
Artist whose work was featured in 'The House of the Noble Man' exhibition.
Anders Petterson Managing Director
Managing director of art market analyst firm ArtTactic, quoted about the state of the art market.

Organizations (7)

Name Type Context
THE HOUSE OF THE NOBLEMAN
CITY A.M.
Frieze Art Fair
Royal Academy
National Gallery
The Saatchi Gallery
ArtTactic

Timeline (3 events)

2010-10
The National Gallery's exhibition of works by Canaletto.
London
National Gallery
2010-10
Exhibition titled 'The House of the Noble Man', a satellite exhibition near Frieze.
A residence near Frieze, London
2010-10-13
Opening day of the Frieze Art Fair to the public.
Regent's Park, London

Locations (2)

Location Context

Relationships (3)

Listed as co-curators of 'THE HOUSE OF THE NOBLEMAN' in the document header.
Charles Saatchi Owner The Saatchi Gallery
The article states he is the owner of The Saatchi Gallery.
Anders Petterson Managing Director ArtTactic
The article identifies him as the managing director of ArtTactic.

Key Quotes (2)

"People got carried away with the rebound earlier in the year and sellers got a little greedy with the estimates they demanded, so the summer sales were a bit down."
Source
— Anders Petterson (Explaining the art market's performance in 2010 after the 2009 downturn.)
HOUSE_OVERSIGHT_028318.jpg
Quote #1
"Since then the market has revived a bit, and people are being more realistic about the situation."
Source
— Anders Petterson (Commenting on the current state of the art market in October 2010.)
HOUSE_OVERSIGHT_028318.jpg
Quote #2

Full Extracted Text

Complete text extracted from the document (2,286 characters)

THE HOUSE OF THE NOBLEMAN
CURATED BY WOLFE VON LENKIEWICZ & VICTORIA GOLEMBIOVSKAYA
PRESS CLIPPING (INTERNET)
CITY A.M.
BUSINESS WITH PERSONALITY
http://www.cityam.com/lifestyle/books/the-art-world-heats-once-more
The art world heats up once more
Wednesday, 13th October 2010
Timothy Barber has a look around Frieze Art Fair, which opens to the public today
AS an army of glamorous art industry movers and shakers traipsed into Frieze Art Fair's marquee yesterday, a young woman was standing outside distributing paper leaflets for an upcoming exhibition. Not that surprising perhaps – some galleries need all the help they can get publicising themselves – except that the gallery in question was the Royal Academy. That London's most august art institution should find itself flyering outside a tent in Regent's Park is one measure of the extent to which the capital's art scene now triangulates itself around Frieze.
There are others. The National Gallery's new exhibition of works by the 18th century Venetian artist Canaletto has coincided with Frieze this week; the merry-go-round of satellite exhibitions now includes one from The Saatchi Gallery – its owner, Charles Saatchi, practically gave birth to London's contemporary art scene as we know it, after all – called The House of the Noble Man, in a residence near Frieze, which puts Cezanne, Manet, Poussin and Picasso alongside Richter, Murakami and Hirst; and of course, Frieze now dictates the timing of the contemporary art auctions that are the most immediate signifier of the health – or otherwise – of the art market.
[Image of a colorful, toothy sculpture with multiple eyes and ears.]
As far as that goes, Anders Petterson, managing director of art market analyst ArtTactic, says the mood is cautiously optimistic. After a rotten 2009, record-breaking February sales apparently signified a return to business as normal, but momentum slowed in the summer with some shows falling significantly short.
“People got carried away with the rebound earlier in the year and sellers got a little greedy with the estimates they demanded, so the summer sales were a bit down,” Petterson says. “Since then the market has revived a bit, and people are being more realistic about the situation.”
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