This document is an online press clipping from October 18, 2010, reviewing an art exhibition called 'The House of the Nobleman,' curated by Wolfe von Lenkiewicz and Victoria Golembiovskaya. The exhibition displayed works by prominent artists like Andy Warhol and Damien Hirst within a luxury residential property for sale near Regent's Park, blending art with real estate. The author critiques this commercial approach, questioning whether art should be used primarily as a sales tool for property.
| Name | Role | Context |
|---|---|---|
| Wolfe von Lenkiewicz | Curator |
Co-curator of 'The House of the Nobleman' exhibition.
|
| Victoria Golembiovskaya | Curator |
Co-curator of 'The House of the Nobleman' exhibition.
|
| Yves Klein | Artist |
Artist whose work was featured in the exhibition.
|
| Alexander Calder | Artist |
Artist whose work was featured in the exhibition.
|
| Gerhard Richter | Artist |
Artist whose work was featured in the exhibition.
|
| Andy Warhol | Artist |
Artist whose work was featured in the exhibition.
|
| Damien Hirst | Artist |
Artist whose work was featured in the exhibition.
|
| Tracey Emin | Artist |
Artist whose work was featured in the exhibition.
|
| Banksy | Artist |
Artist whose work was featured in the exhibition.
|
| Name | Type | Context |
|---|---|---|
| The House of the Nobleman |
The name of the art exhibition and curatorial group.
|
|
| scene. art design culture ideas |
The publication/website that published the article.
|
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| Frieze Art Fair |
An art fair taking place near the exhibition location.
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| Carpenters Workshop Gallery |
Provided contemporary design furniture for the exhibition.
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| Channel 4 |
Co-sponsor of the 'New Sensations 2010' art prize featured in the exhibition.
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| Saatchi Gallery |
Co-sponsor of the 'New Sensations 2010' art prize featured in the exhibition.
|
| Location | Context |
|---|---|
|
The location of the eight residences where the exhibition was held.
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The area where the exhibition and the Frieze Art Fair were located.
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"The House of the Noble Man is supposed to evoke the home of a fictitious 21st century merchant - a digital tycoon, trader and investor who collects art as a way of lending materiality to his otherwise transient and ethereal existence."Source
"However, there was something uncomfortable about viewing all of this wonderful art in what was, in essence, the world's most expensive show home."Source
"I guess the true success of this exhibition will be determined by whether any of the properties sell and, for me, art should be treated as more than a sales tool."Source
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