HOUSE_OVERSIGHT_013442.jpg

1

Navigating our presidential campaign was a piece of cake compared to understanding the nuances of the
2011 Oscar race for the most revered artistic honor in the world.

This is how nine films fell into the big picture.

Three premiered in Cannes mid-May, a distant nine months ago, creating an Oscar campaign as long as
any human pregnancy.

At the Palais, the first inkling of Oscar buzz was born as reclusive Woody Allen premiered "Midnight in
Paris".

PBS later aired a documentary of Woody discussing his forty-four films showing the astonishing depth of
his talent that made you want to immediately hand him the Oscar for Best Picture. Academy rules and
Woody forbade marketing this gem.

Woody is not a member of the Academy because he doesn’t feel that films should be in competition. He
told me, "A statue does not change your life. You still get a cold. You can't get a date. You still have
everyday things to worry about". The Academy learned to love him from a distance and gave him best
original screenplay as a consolation.

Terrence Malick's long awaited esoteric "The Tree of Life" unveiled at Cannes and won the coveted "
Palme D'Or " positioning it for a nomination.

"The Artist", created by the French, shot in Hollywood and about Hollywood was the festival surprise.
This charming and oddly original black and white silent entry was introduced by the ringmaster himself,
Harvey Weinstein. No one could pronounce or spell director Michel Hazanavicius's name. Jean Dujardin
could not speak a word of English and neither could his 10 year old co-star, the Jack Russell Uggie who
had been rescued from the pound after two adopters found him too wild. Tragically Uggie developed an
undisclosed neurological disorder during production, forcing him to retire at the height of his popularity.

No slam dunk Oscar winner emerged in Cannes. Any future film could easily win.

DreamWorks' "The Help" premiered in LA in August and distributer Disney began propelling the
politically correct and socially significant film to box office heaven of $200 million. Viola Davis and
Octavia Spencer were forecast to win Oscars.

In September, the Toronto and New York Film Festivals and Fox Searchlight presented Alexander s's
Hawaiian family saga, "The Descendants," which broke out of the pack with whispers of winning.
Beloved George Clooney, playing a father for the first time was hailed a shoe-in for best actor. Directing
"Ides of March" was additional momentum.

Also at New York's festival Marty Scorsese and Paramount sneaked an unfinished cut of "Hugo" in Alice
Tully Hall, built for concerts but converted into a 3-D theater. Marty was christened the visionary genius
of an innovative costly 3-D masterpiece.

Director Bennett Miller's highly anticipated "Moneyball" for Sony hit a grand slam at its west coast
premiere in Oakland aligning the film, it’s heart throb star Brad Pitt, Jonah Hill and seasoned writers
Steve Zaillian and Aaron Sorkin in play.

HOUSE_OVERSIGHT_013442