Theater
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EFTA00001882.pdf
Evidence photograph (EFTA00001882) depicting a white desk setup with various electronic equipment. Items include an Apple MacBook, a large Apple monitor, Motorola walkie-talkies in charging cradles, a Panasonic landline phone, Celestron binoculars, and a printer. Several electronic components are labeled with white tape indicating their function or location, specifically 'KITCHEN', 'RF THEATER', and 'KITCHEN PRINTER'. A copy of the magazine 'Propriétés' (likely 'Propriétés Le Figaro' or similar luxury real estate publication) is also visible on the desk.
EFTA00001880.pdf
This document is a photograph of physical evidence, specifically a tablet device (possibly an iPad) with a grey cover resting on top of a black piece of audio-visual equipment. The equipment bears an upside-down label reading 'THEATER 2', suggesting it was located in a home theater or media room. The bottom right corner contains the Bates stamp EFTA00001880. No documents, flight logs, or textual communications are visible in the image.
DOJ-OGR-00016248.jpg
This document is page 32 of a court transcript (Case 1:20-cr-00330-PAE, likely USA v. Ghislaine Maxwell) featuring the direct examination of witness A. Farmer by Ms. Pomerantz. The witness testifies about a trip to New York where she and her sister Maria were taken by Epstein's driver to see 'The Phantom of the Opera' and later accompanied Epstein to see a movie identified as 'Five Monkeys'. The witness describes Epstein sitting between her and her sister at the movie and making physical advances, including caressing and interlocking his hand with hers.
DOJ-OGR-00013623.jpg
This document is a page from a court transcript (Case 1:20-cr-00330-PAE) dated August 10, 2022, featuring the direct examination of witness 'A. Farmer' by Ms. Pomerantz. The testimony details a trip to New York where the witness and her sister, Maria, were taken to see 'The Phantom of the Opera' by Epstein's driver, and later attended a movie ('Five Monkeys') with Epstein himself. The witness describes Epstein sitting between her and her sister at the movie theater and initiating unwanted physical contact by caressing and holding her hand.
DOJ-OGR-00013621.jpg
This document is a page from the court transcript of Annie Farmer's direct testimony (Case 1:20-cr-00330). She describes meeting Jeffrey Epstein at his 'very grand' home in the city, noting his casual demeanor and the stark contrast between his large residence and her sister's small apartment. She recalls sitting across a large wooden desk from him in a library room before his driver took them to a theater production.
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A document bearing a House Oversight Bates number containing an article or blog draft titled 'Serious Moonlight' by publicist Peggy Siegal. The text recounts her experiences at the 2017 Academy Awards, discussing the 'Moonlight' vs. 'La La Land' upset, the political climate regarding Donald Trump, and her personal interactions with Andrew Garfield, Kelly Bush, and Marc Platt on the red carpet. While part of a document dump often associated with the Epstein/Maxwell investigation (likely due to Siegal's involvement), the content itself is strictly about Hollywood and the Oscars.
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This document is Page 258 (Chapter 25) from a book titled 'Through the Looking Glass', likely authored by Edward Jay Epstein (indicated by the file name). The text details the narrator's meeting in Moscow with Victor Cherkashin, a former KGB handler known for recruiting American spies Ames, Hanssen, and Pelton. The document bears a House Oversight Committee Bates stamp.
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This document discusses the psychological concept of "confirmation theory," illustrating it with the public's reaction to Lee Harvey Oswald and applying it to the polarized views on Edward Snowden. It also addresses the inherent deception within intelligence agencies, referencing Winston Churchill and citing James Clapper's testimony to the Senate Intelligence Committee regarding NSA data collection.
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This document appears to be an email or draft newsletter from Peggy (likely publicist Peggy Siegal) to Daisy. It details gossip and events surrounding an Oscar weekend (likely 2013), discussing films like 'Zero Dark Thirty' and 'Les Miserables', and mentions numerous celebrities and industry figures. The document concludes with a personal note expressing stress about scheduling and pressure.
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A document dated April 2, 2012, appearing to be a draft page (page 227) from a book or legal manuscript. The text contrasts the progress of science (specifically DNA evidence) in exonerating the innocent with the 'regression' of the law, specifically criticizing the Supreme Court and Congress for making it difficult to reopen closed cases. The author heavily criticizes Justice Scalia's view that 'actual innocence' is not a constitutional claim if the original trial was procedurally fair.
HOUSE_OVERSIGHT_015450.jpg
The document appears to be a page from a narrative account or memoir, stamped with a House Oversight Bates number (015450). It describes an incident where the narrator and an associate named Julius are detained by police in a parking lot at Fort Mason Center while Julius was rolling a marijuana joint. The text details the police interaction, including a search for sharp objects and the discovery of novelty police tape from the 'Saint Stupid Day Parade.'
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This document appears to be a page from a manuscript or memoir included in House Oversight evidence. It details anecdotes about comedian George Carlin, including a conversation about drug use methods, a comparison of his legacy to Richard Nixon's, and a specific discussion with producer Dan Pasley about why racial slurs were excluded from his famous 'Seven Dirty Words' routine. The page concludes with a mention of his daughter, Kelly, reading his burial instructions from 1990 at his memorial service.
HOUSE_OVERSIGHT_015379.jpg
This document is a personal recollection titled 'Remembering George Carlin,' written by an unnamed performer who opened for the comedian. It details Carlin's hospitality (providing a limo and lodging), his graciousness toward fans at the Warner-Grand Theater in San Pedro, and his uncompromising nature regarding an HBO special on abortion. The document bears the Bates stamp HOUSE_OVERSIGHT_015379, indicating it is part of a congressional production.
HOUSE_OVERSIGHT_015305.jpg
This document appears to be a page from a memoir or manuscript included in House Oversight evidence files. It recounts personal interactions between the narrator and Richard Alpert (Ram Dass), specifically regarding Alpert's family secrets (his brother's mental illness) and stage performances. The text also contrasts Timothy Leary's philosophy on LSD with G. Gordon Liddy's alleged plan to use the drug for a political assassination of Jack Anderson.
HOUSE_OVERSIGHT_015182.jpg
This document appears to be a page from a narrative manuscript or essay titled 'The Mime and the Pacer.' It describes the narrator mimicking a man known as 'The Pacer' at the Wallenboyd Theater and provides cultural observations of Venice Beach, referencing Don Johnson and Linda Lovelace. The page is stamped 'HOUSE_OVERSIGHT_015182,' indicating it is part of a larger collection of evidence reviewed by the House Oversight Committee.
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This document appears to be page 151 of a scientific manuscript or report produced for the House Oversight Committee. It details an experiment where graduate students were given amphetamines to induce personality changes and paranoia, resulting in specific delusions involving Russian spies and the CIA. The text draws parallels between these drug-induced states, WWII Kamikaze pilots, and modern suicide bombers, discussing the concept of 'limit cycle oscillations' in complex systems.
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This document is a detailed daily itinerary for the President of the Maldives and their delegation for Wednesday, September 26, 2012, in New York City, likely during the UN General Assembly. The schedule includes bilateral meetings with officials from Tanzania, Trinidad and Tobago, and the Commonwealth, as well as attendance at receptions hosted by South Africa, Luxembourg, and Cyprus. It originates from a US House Oversight Committee investigation (marked HOUSE_OVERSIGHT_024181).
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This document is an email dated March 4, 2011, from publicist Peggy Siegal to an assistant named Stephanie, with the instruction to forward it to Jeffrey Epstein. The content is a detailed 'Oscar diary' describing high-profile parties attended by celebrities, including the Governor's Ball, the Vanity Fair party, and a party at Guy Oseary's house. The text notably mentions an interaction where Donald Trump ('The Trumpster') offers Siegal a ride home on his private plane.
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This document appears to be a personal narrative or diary entry, likely written by Ghislaine Maxwell, detailing her attendance at high-profile Hollywood events during the 2011 Oscars weekend. The text describes interactions with numerous A-list celebrities including Steven Spielberg, Jennifer Lopez, and Colin Firth at events like the 'Night Before Party' and the Weinstein Company's Pre-Oscar party. It concludes with a description of walking the red carpet at the Academy Awards with producer Donna Gigliotti.
HOUSE_OVERSIGHT_029775.jpg
A detailed social report, likely written by publicist Peggy Siegal (referred to as 'Peg'), recounting her attendance at exclusive Hollywood events during Oscar weekend in late February 2011. The document describes interactions with A-list celebrities including Harrison Ford, Johnny Depp, and Brad Pitt at parties hosted by Jim Burkus, Bryan Lourd, and Barry Diller. It concludes with a description of the Oscar broadcast rehearsal at the Kodak Theater.
HOUSE_OVERSIGHT_029774.jpg
This document appears to be a diary entry or social report written by an industry insider during the 2011 Oscar season. It details the intense campaigning between 'The King's Speech' (backed by Harvey Weinstein) and 'The Social Network', culminating in a trip to Los Angeles where the author stays at the Beverly Hills Hotel and attends a high-profile party at Arianna Huffington's home attended by major tech and media moguls including Jeff Bezos, Eric Schmidt, and Bob Iger.
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This document is an email sent by Stephanie to Peggy Siegal and 'jeevacation@gmail.com' (Jeffrey Epstein) on March 4, 2011. It contains a forwarded 'Oscar diary' written by publicist Peggy Siegal, detailing her experiences at the 83rd Academy Awards and various film festivals leading up to it. The text mentions numerous high-profile celebrities and industry figures, providing a behind-the-scenes look at the film industry's awards season.
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