| Connected Entity | Relationship Type |
Strength
(mentions)
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Documents | Actions |
|---|---|---|---|---|
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person
The New York Times
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Employee |
5
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1 |
This document is an Artnet press clipping dated October 8, 2010, previewing 'Frieze Week' in London. It highlights several art events, specifically focusing on an exhibition titled 'House of the Noble Man' at 2 Cornwall Terrace, curated by Wolfe von Lenkiewicz and Victoria Golembiovskaya. The text notes the exhibition is sponsored by the 'Russian billionaire who owns the property' and features £20 million worth of art for sale, including works from Ragdan El-akabi's collection.
The document contains text and metadata related to a news story about the Tusk Trail, a wildlife charity event organized by the Tusk Trust. It discusses the history of fiberglass cow parades, which were started by Swiss artist Roland Muller in 1998, and mentions the mixed reception of such public art, including criticism from art critic Roberta Smith. The text also notes the popularity of similar parades featuring other animals and references a "Back Story" by Alex Marshall and a "Morning Briefing."
This document is an excerpt from what appears to be a news article about the history and cultural impact of fiberglass 'Cow Parade' art installations, which originated with Swiss artist Roland Muller in 1998. It mentions an upcoming Christie's auction for the Tusk Trust wildlife charity and includes commentary from artist Roland Muller and art critic Roberta Smith. Despite the user's prompt, the document's content is about art parades and contains no information related to Jeffrey Epstein.
Roberta Smith wrote that the cow sculptures created 'a near inescapable condition' after appearing in New York.
Roberta Smith wrote that the cow sculptures created 'a near inescapable condition' after appearing in New York.
Roberta Smith wrote that the cow sculptures created 'a near inescapable condition' after appearing in New York.
Roberta Smith wrote that the cow sculptures created 'a near inescapable condition' after appearing in New York.
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