This document appears to be a page from a memoir or narrative recounting a conversation with Groucho (likely Groucho Marx) regarding the countercultural movement and LSD. The narrator describes incidents in San Francisco, including a protest on the day LSD became illegal and interactions between hippies and tourists on Haight Street. The page is marked with a House Oversight stamp (HOUSE_OVERSIGHT_015372), indicating it was part of a document production related to a congressional investigation.
This document appears to be a page from a book or article discussing the commercialization of the 1960s counter-culture movement. It references the 20th anniversary of the 'Summer of Love' (placing the context around 1987) and critiques how figures like Timothy Leary and Ram Dass, and bands like Jefferson Airplane, became associated with commercial brands like Gap and Saks Fifth Avenue. The page concludes with a description of graffiti reading 'Love Is Revenue.' The document bears a 'HOUSE_OVERSIGHT' Bates stamp, indicating it is part of a larger document production for a congressional investigation.
This document appears to be a page from a memoir or narrative account describing a 'Summer of Love reunion' in San Francisco (likely 1987). The author contrasts the culture of the 1960s with the 1980s, specifically regarding drug prices (marijuana), drug types (LSD vs. Ecstasy), and social norms. It mentions notable figures including Amy Carter and Abbie Hoffman in the context of a protest trial against the CIA, and includes a footer indicating it is part of a House Oversight Committee investigation (HOUSE_OVERSIGHT_015314).
This document appears to be a page from a manuscript or essay describing the author's experience attending the 20th Anniversary of the Summer of Love in San Francisco on the summer solstice of 1987. The text details the 'All Beings parade' on Haight Street, noting the juxtaposition of aging hippies, costumed performers, and protests against the commercialization (malling) of the neighborhood by groups like the Haight-Ashbury Preservation Society. The document bears a 'HOUSE_OVERSIGHT' footer, indicating it is part of a Congressional document production.
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