| Connected Entity | Relationship Type |
Strength
(mentions)
|
Documents | Actions |
|---|---|---|---|---|
|
person
Narrator
|
Friend |
8
Strong
|
4 | |
|
person
Mark Lane
|
Political running mates |
5
|
1 | |
|
person
Jack Paar
|
Guest host |
5
|
1 | |
|
person
LARRY
|
Friend |
5
|
1 |
| Date | Event Type | Description | Location | Actions |
|---|---|---|---|---|
| N/A | N/A | Interview for The Realist | New York | View |
| N/A | N/A | Performance at Playboy Club | Chicago, Playboy Club | View |
| N/A | N/A | Tonight Show Appearance | TV Studio | View |
| N/A | N/A | Unbirthday Party for President Lyndon Johnson | The Coliseum | View |
| N/A | N/A | Editorial meeting and vote regarding the publication of 'Jesus and the Adulteress' feature in Hus... | Emory University Hospital, ... | View |
| N/A | N/A | Death of Dick Gregory | Unknown | View |
This document appears to be a page from a memoir or narrative text submitted as evidence (marked HOUSE_OVERSIGHT_015397). It describes a whimsical decision-making process by a woman named Althea regarding the publication of a piece titled 'Jesus and the Adulteress,' determined by the movement of pigeons. It also includes a eulogistic reflection on the activist Dick Gregory.
A narrative page, likely from a memoir or deposition, describing the atmosphere at Hustler magazine following the shooting of Larry Flynt (approx. 1978). It details an editorial dispute between Althea Flynt, the narrator, Dick Gregory, and Bruce David regarding the publication of a controversial feature titled 'Jesus and the Adulteress' while working out of Emory University Hospital. The document bears a House Oversight Committee Bates stamp.
This document appears to be a page from a memoir or narrative (likely Richard Pryor's, given the reference to daughter Holly and peer Dick Gregory) included in a House Oversight Committee production (marked HOUSE_OVERSIGHT_015393). The text describes a summer visit from the narrator's daughter, Holly, where they practiced a 'silent day' using handwritten notes. It follows with a philosophical discussion between the narrator and comedian Dick Gregory regarding laughter and eating as manifestations of insecurity, and how their comedy careers depend on audiences not realizing this.
This page appears to be an excerpt from a memoir (likely by a counter-culture figure given the context) contained within a House Oversight document production. It details interactions with activist Dick Gregory, including his presidential run with Mark Lane, a protest event involving the band The Fugs and an 'Unbirthday Party' for LBJ, and Gregory's appearance on the narrator's San Francisco talk show in 1971 regarding a hunger strike against the Vietnam War. The document does not contain direct references to Jeffrey Epstein or Ghislaine Maxwell on this specific page.
A document from the House Oversight files (HOUSE_OVERSIGHT_015390) containing a narrative excerpt titled 'Remembering Dick Gregory'. The text details the narrator's relationship with comedian Dick Gregory, recounting his rise to fame at the Chicago Playboy Club and his barrier-breaking appearance on the Jack Paar Tonight Show. While part of a larger evidence dump, this specific page focuses on civil rights history and entertainment rather than Epstein directly.
The document appears to be a table of contents or a list of essay titles, likely from a counter-culture memoir or collection (the style suggests writer Paul Krassner, though he is not explicitly named as the author in the text). It categorizes writings under headers such as 'Higher Than Thou,' 'Politics,' 'Porn Again,' 'Comedians,' and 'The Later Years.' The document contains a footer 'HOUSE_OVERSIGHT_015039', indicating it is part of a congressional investigation document production.
Asked to be interviewed for The Realist.
Invited narrator to his show at the Playboy Club.
Announced he would stop eating solid foods until the Vietnam war was over.
Gregory expressed fear ('This scares me') regarding the publication of the feature.
Discussion about eating and laughing stemming from insecurity and the impact on their comedy business.
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