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narrator
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Author (Peggy Siegal)
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This document appears to be a social diary or newsletter entry from February 2017 (Oscar season), likely written by publicist Peggy Siegal (identified by the 'PEG-FILM' license plate). It details various high-profile Hollywood events, including a Haiti benefit, an A24 party, a UTA political rally protesting the Trump travel ban, and a sustainability dinner hosted by the Firths. The text highlights interactions with numerous celebrities like Meryl Streep, Damien Chazelle, and Barry Jenkins regarding their Oscar prospects.
This document appears to be a first-person narrative or diary entry, marked with a House Oversight footer, recounting the chaos of the 2017 Academy Awards Best Picture mix-up. The narrator details their perspective from the balcony with Lionsgate publicists, a subsequent conversation with Warren Beatty at the Governor's Ball, and mentions checking into the Sunset Tower Hotel after a party hosted by billionaire Stephen Schwarzman. The text cuts off mid-sentence regarding Schwarzman's wife's birthday party.
The document recounts a series of high-profile Hollywood events and parties leading up to the Oscars, detailing interactions with celebrities like Barry Jenkins and Damien Chazelle. It also describes a political rally organized by the United Talent Agency protesting a travel ban, featuring speeches from prominent industry figures.
The document is a first-person narrative account of the 2017 Oscars ceremony, focusing on the infamous 'Best Picture' mix-up between 'La La Land' and 'Moonlight'. The narrator, an industry insider or journalist with a personal friendship with director Damien Chazelle, describes interactions with publicists, the chaos of the erroneous announcement, and a subsequent encounter with a distressed Warren Beatty at the Governor's Ball. The text ends with a date header for 'Tuesday, February 21st', suggesting this is part of a diary or a chronological report of the week's events.
Wrap up of the evening; telling him regarding Oscars 'It's not if, but how many'.
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