| Connected Entity | Relationship Type |
Strength
(mentions)
|
Documents | Actions |
|---|---|---|---|---|
|
person
Heinz von Foerster
|
Friend |
8
Strong
|
2 | |
|
person
John Brockman
|
Friend |
5
|
1 |
| Date | Event Type | Description | Location | Actions |
|---|---|---|---|---|
| N/A | N/A | Conversations between artists and engineers organized by the author. | Unknown | View |
| N/A | N/A | AI panel for Serpentine Gallery's Marathon | London's City Hall | View |
| N/A | N/A | Conversations organized between artists and engineers regarding AI. | N/A | View |
| N/A | N/A | Panel discussion 'GUEST, GHOST, HOST: MACHINE!' | City Hall, London | View |
| N/A | N/A | A gathering or publication featuring presentations/essays on Artificial Intelligence by various i... | N/A | View |
This document appears to be a page from an essay or book titled 'Making the Invisible Visible: Art Meets AI' by Hans Ulrich Obrist. The text explores the intersection of art and artificial intelligence, citing historical figures like Marshall McLuhan and Heinz von Foerster to argue that art acts as an 'early alarm system' for technological change. The document bears the Bates stamp 'HOUSE_OVERSIGHT_016947', indicating it is part of a larger production of documents for a congressional investigation.
This document appears to be a narrative excerpt written by literary agent John Brockman recounting a trip to Milan in November 2011. It details how his friend, art curator Hans Ulrich Obrist (HUO), facilitated meetings for him with high-profile figures like Enzo Mari and Miuccia Prada. The text also describes a collaborative panel event in London involving Brockman, HUO, and other intellectuals.
This document is a biographical profile of Jaan Tallinn, an Estonian developer and existential risk philanthropist. It details his founding of the Centre for the Study of Existential Risk at Cambridge in 2012 and recounts a social anecdote about him breakdancing at a high-society dinner party in London. The document bears a House Oversight Committee stamp, suggesting it was part of evidence gathered during an investigation, likely related to Epstein's connections with the scientific/intellectual community (Edge Foundation circles).
The author reflects on the founding of "The Reality Club" and relationships with pioneering computer scientists like Danny Hillis and Seth Lloyd, discussing historical developments in AI and complexity science. The text introduces "The Deep Thinking Project," a collaborative collection of essays from 25 prominent intellectuals addressing contemporary issues in artificial intelligence.
This document appears to be a page from a conference program or a collection of essays (likely associated with the Edge Foundation, given the list of contributors often associated with John Brockman and Epstein's circle). It lists titles and brief abstracts for presentations by intellectuals including Stephen Wolfram, George Church, and Alison Gopnik, focusing on the ethics, future, and artistic implications of Artificial Intelligence. The document bears a House Oversight Bates stamp.
This document is a page from an essay titled 'Making the Invisible Visible: Art Meets AI' by Hans Ulrich Obrist, likely part of a larger compilation submitted as evidence to the House Oversight Committee. The text discusses the intersection of art and technology, referencing Marshall McLuhan and Nam June Paik, and recounts the author's conversations with cyberneticist Heinz von Foerster regarding the complementary nature of science and art. While the document bears a House Oversight footer commonly associated with Epstein-related investigations (likely due to Edge.org connections), this specific page contains no direct mentions of Jeffrey Epstein.
The author recounts arriving in Milan in November 2011, where curator Hans Ulrich Obrist (HUO) had arranged meetings with prominent figures like Enzo Mari and Miuccia Prada. The text describes HUO's intense work ethic and influence, as well as a recent collaboration between the author and HUO on an art and science panel in London.
Conversations organized to discuss what artists have to say about AI.
Von Foerster offered views on art and science as complementary fields.
Discussion where von Foerster offered views on art/science complementarity.
Discussion where von Foerster offered his views on the complementary nature of art and science.
Organizing conversations and meetings.
Views on art and science as complementary fields.
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