Eric Kopeloff
PersonRelationship Network
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This document is a first-person narrative, likely written by a well-connected publicist (contextually likely Peggy Siegal), describing the production of the movie 'Wall Street 2'. It details the author's involvement in consulting on the script regarding New York's financial high society, visiting the set at the Central Park Zoo, and their close personal relationship with actor Michael Douglas. The document outlines the casting, the inspirations for the movie's villains (hedge fund managers), and specific filming locations in New York.
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This document appears to be a narrative draft or diary entry written by a former publicist of Michael Douglas (possibly Peggy Siegal, though unnamed in text) describing a day spent as an extra on the set of the film 'Wall Street 2'. The text details interactions with high-society figures like Julia Koch, Amy Fine Collins, and Hamish Bowles, as well as the film's director Oliver Stone and actor Michael Douglas. It captures the social dynamics of the set and includes a subsequent lunch meeting with prominent media figures at The Monkey Bar.
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This document is a narrative account, likely written by a publicist (consistent with Peggy Siegal's style), describing a day of filming for the movie 'Wall Street 2' on October 21st (likely 2009). The author details organizing high-society figures like Julia Koch, Amy Fine Collins, and Hamish Bowles to appear as extras in a party scene directed by Oliver Stone. The text also mentions a subsequent lunch at The Monkey Bar with a group referred to as 'The Harpies,' including Barbara Walters and Liz Smith, and an interaction with Graydon Carter.
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This document is a narrative account, likely written by a publicist or socialite (implied to be Peggy Siegal given the context of other Epstein files, though not explicitly named here), detailing the production of the movie 'Wall Street 2: Money Never Sleeps' in late 2009. The author describes consulting with screenwriter Alan Loeb, visiting the set at the Central Park Zoo with producer Ed Pressman, and being asked to recruit 'rich Upper East Side socialites' as extras for a scene. It includes personal details about Michael Douglas, noting the author was his former publicist, and mentions a birthday party at the St. Regis. The document bears a 'HOUSE_OVERSIGHT' stamp, indicating it is part of a Congressional investigation cache.
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