| Connected Entity | Relationship Type |
Strength
(mentions)
|
Documents | Actions |
|---|---|---|---|---|
|
person
Subject ('you')
|
Sought advice from |
7
|
1 | |
|
person
Addressee (implied Jeffrey Epstein)
|
Sought advice from |
7
|
1 | |
|
person
Vicky Ward
|
Editor journalist |
6
|
2 | |
|
person
Vicky Ward
|
Professional editor writer |
5
|
1 | |
|
person
Ron Meyer
|
Host guest |
5
|
1 | |
|
person
Vicky Ward
|
Professional |
5
|
1 | |
|
person
Ward
|
Professional editor writer |
1
|
1 | |
|
person
Jeffrey Epstein
|
Professional |
1
|
1 | |
|
person
Jeffrey Epstein
|
Social adversarial |
1
|
1 |
| Date | Event Type | Description | Location | Actions |
|---|---|---|---|---|
| N/A | N/A | Graydon Carter arrives at Condé Nast offices. | Condé Nast building, Times ... | View |
| N/A | N/A | Graydon Carter assigned a profile piece on Jeffrey Epstein to Vicky Ward. | New York | View |
| N/A | N/A | Graydon Carter arriving early at the Condé Nast building. | Condé Nast building, Times ... | View |
| 2025-11-22 | N/A | Secretive lunch hosted by Gary Pudney | Unknown | View |
| 2025-11-05 | N/A | Filming at Shun Lee Restaurant. Scene involves Michael Douglas, Carey Mulligan, Shia LaBeouf, and... | Shun Lee Restaurant, West 6... | View |
| 2025-10-21 | N/A | Lunch at The Monkey Bar | The Monkey Bar | View |
| 2025-10-21 | N/A | Lunch with 'The Harpies' | The Monkey Bar | View |
| 2025-03-01 | N/A | Publication of 'The Talented Mr. Epstein' in Vanity Fair. | Vanity Fair Magazine | View |
| 2012-04-01 | N/A | Private buffet hosted by Ron Meyer | Ron Meyer's Malibu home | View |
| 2012-02-01 | N/A | Secret dinner for Anna and Graydon Carter | Hollywood Hills home | View |
| 2012-02-01 | N/A | Oxfam America Benefit Dinner | Chateau Marmont | View |
| 2012-02-01 | N/A | Vanity Fair Oscar Bash | Sunset Tower | View |
| 2011-03-01 | N/A | Vanity Fair Party | Sunset Tower Hotel | View |
| 2002-12-01 | N/A | Graydon Carter assigns Vicky Ward a story on Jeffrey Epstein. | Vanity Fair Offices (implied) | View |
| 2002-12-01 | N/A | Graydon Carter assigns Vicky Ward a story about Jeffrey Epstein. | Vanity Fair Offices (implied) | View |
| 1994-01-01 | N/A | Dinner at Serpentine Galley in London | Serpentine Galley, London | View |
| 0005-11-01 | N/A | Filming at Shun Lee Restaurant | Shun Lee Restaurant, West 6... | View |
| 0005-11-01 | N/A | Filming scenes at Shun Lee Restaurant with Michael Douglas, Shia LaBeouf, Carrie Mulligan, and Gr... | Shun Lee Restaurant, West 6... | View |
An email chain from May-June 2020 between unidentified individuals, likely within law enforcement or a legal team, discussing the Netflix documentary 'Jeffrey Epstein: Filthy Rich'. The correspondents critique Graydon Carter's appearance in the series and explicitly mention that the COVID-19 pandemic has delayed 'making decisions on the other folks' (presumably Epstein associates), noting that these subjects are not considered 'ongoing threats to public safety'.
A hostile letter from Jeffrey Epstein to Vanity Fair journalist Vicky Ward, responding to her inquiries for an article. Epstein disputes ownership of a specific property (#11), addresses transfer taxes for another (#9), and aggressively attempts to discredit a female accuser (name redacted) who stayed at his Ohio property in 1996. He alleges the accuser committed financial misdeeds and theft, citing a State Trooper as a witness, and argues her claims of feeling 'uncomfortable' are a cover for her misconduct.
This document is page 150 from a James Patterson book, stamped as a House Oversight exhibit. It narrates Graydon Carter (Vanity Fair editor) arriving at the Condé Nast building to review a story by a journalist named Ward about Jeffrey Epstein. The text describes Epstein's NYC townhouse in bizarre detail, noting 'menservants' in white gloves and a hallway decorated with framed eyeballs imported from England. It also includes two photos: one of Epstein in 1969 and another related to a Palm Beach Police search of his El Brillo Way home.
This document is a page from a book (Chapter 36, stamped with a House Oversight ID) detailing events in December 2002 involving Vanity Fair editor Graydon Carter. It describes Carter assigning journalist Vicky Ward, who was pregnant with twins at the time, to write a story about Jeffrey Epstein. The text raises questions about Epstein's mysterious rise, his source of wealth, and mentions his connection to Bill Clinton.
This document is page 150 from a book by James Patterson, included as a House Oversight exhibit. It details Graydon Carter's hesitation regarding a story about Jeffrey Epstein written by Vicky Ward (referred to as Ward), noting that at the time, there were only rumors about Epstein's dealings with young women and no criminal investigation. The text includes a vivid description of Epstein's NYC townhouse, mentioning menservants and a hall decorated with prosthetic eyeballs. The page also features two photos: one of Epstein's Palm Beach home during a police search, and a 1969 photo of a young Epstein at Coney Island.
This document is an excerpt from the book 'Filthy Rich' (Chapter 36, set in 2002), marked as a House Oversight exhibit. It details Vanity Fair editor Graydon Carter assigning journalist Vicky Ward to write a profile on Jeffrey Epstein. The text highlights the mystery surrounding Epstein's wealth, his connection to Bill Clinton (flying him to Africa), and his subsequent attempt to discredit Ward by contacting press baron Conrad Black.
This document appears to be a scanned page (p. 142) from a book detailing the operations of Vanity Fair magazine under Graydon Carter in December 2002. It describes Carter assigning journalist Vicky Ward, who was pregnant at the time, to write an investigative piece about Jeffrey Epstein. The text questions Epstein's background, mentions he flew Bill Clinton, and alludes to the mystery surrounding the source of his fortune.
This document appears to be a narrative excerpt or book draft (possibly by Michael Wolff) recounting the history of Jeffrey Epstein's rise to social prominence and subsequent legal fall. It details his interactions with high-profile figures like Princess Diana, Graydon Carter, and Bill Clinton, specifically mentioning a 1994 dinner and travel with Clinton. The text also covers the beginning of the legal investigation in Palm Beach, the involvement of lawyers Alan Dershowitz and Roy Black, and Epstein's eventual plea deal and release in 2010.
This document is a page from Avenue Magazine (April 2012) featuring a society column that details celebrity sightings, parties, and gossip surrounding the Academy Awards and Independent Spirit Awards. It describes events hosted by The Weinstein Company, Chanel, and others, mentioning numerous high-profile figures including Meryl Streep, Madonna, Prince Albert, and the cast of 'The Artist'.
This document is a page from Avenue Magazine (April 2012, page 63) stamped by the House Oversight Committee. It is a social diary column chronicling high-profile Hollywood parties leading up to the Academy Awards in February 2012, including events hosted by WME's Ari Emanuel, UTA's Jim Berkus, and CAA's Bryan Lourd. The text lists numerous celebrities, industry executives, and socialites in attendance, but contains no direct references to Jeffrey Epstein or Ghislaine Maxwell.
This document is page 62 of Avenue Magazine (April 2012), stamped with 'HOUSE_OVERSIGHT_013456', suggesting it is part of a larger production likely related to the House Oversight Committee's investigation into Epstein/Maxwell. The text is a social column describing various pre-Oscar parties and events in Los Angeles, including a dinner hosted by Betsey Bloomingdale (attended by Nancy Reagan), a party by Ron Meyer (attended by Tom Cruise and Leonardo DiCaprio), and a British Film Reception. While high-profile socialites and Hollywood figures are mentioned, neither Jeffrey Epstein nor Ghislaine Maxwell are explicitly named on this specific page, though the context of the production stamp implies a connection to their social circle or seized documents.
This document appears to be a detailed narrative report or diary entry (possibly from a high-level PR consultant or associate) describing the 2012 Academy Awards and subsequent parties. It details the movements of major celebrities, specifically focusing on the success of the film 'The Artist' and Meryl Streep, while noting the activities of Harvey Weinstein ('Harvey'). The text highlights the exclusivity of events like the Vanity Fair bash and George Clooney's private party, mentioning specific financial figures raised at Elton John's event.
This document is a first-person narrative, likely a society column or diary, detailing events around the 2012 Academy Awards (Oscars). The narrator describes attending high-profile events including a fundraiser at the Beverly Hills Hotel, a Chanel party, and a Weinstein Company bash, interacting with numerous celebrities like George Clooney, Madonna, and Nancy Reagan. The text highlights Harvey Weinstein's influence, mentioning his facilitation of transport for 'The Artist' cast and his hosting of guests including the daughters of a slain police officer.
This document, page 5 of a House Oversight file, appears to be a diary entry or detailed correspondence written by an insider moving through high-level Hollywood pre-Oscar parties in February 2012. The narrator recounts being driven by 'Nobbs' (likely David Nobbs, an Epstein employee) to events hosted by WME, UTA, and CAA, interacting with A-list celebrities including Meryl Streep, George Clooney, and Michael Douglas. The text details conversations about the upcoming Academy Awards, specifically referencing 'The Frenchman' (likely 'The Artist') and Harvey Weinstein's campaigning.
This document is a social diary or report page marked 'HOUSE_OVERSIGHT' describing various high-profile Hollywood events during the pre-Oscar week, specifically around Friday, February 24 (likely 2012). It details attendees, locations, and gossip from events hosted by Ron Meyer, Betsey Bloomingdale, the British Consulate, Women in Film, and Vanity Fair. Key figures include numerous A-list celebrities, politicians, and industry executives.
This document appears to be a social diary or draft article (possibly by Ghislaine Maxwell or a close associate, given the context of the document dump) detailing events during the week leading up to the Oscars in February 2012. It describes encounters with celebrities at the Beverly Hills Hotel and Chateau Marmont, and lists attendees at various high-profile parties including a Hollywood Reporter event and an art exhibition dinner. The document is stamped 'HOUSE_OVERSIGHT' indicating it was part of a congressional investigation.
This document appears to be a manuscript or article draft recount of a day spent filming Oliver Stone's movie 'Wall Street 2' (Money Never Sleeps) on October 21st. The narrator describes the participation of various high-society figures as extras, including Julia Koch, Amy Fine Collins, and Hamish Bowles, at a townhouse on East 65th Street. The narrative includes details about a lunch at The Monkey Bar with prominent media figures like Barbara Walters and Graydon Carter, and the narrator's attempt to broker a cameo for Carter in the film.
This document appears to be a production diary or memoir excerpt detailing the filming of the movie 'Wall Street: Money Never Sleeps' (Wall Street 2) in New York City around November 2009. It describes specific scenes filmed at Shun Lee Restaurant and 25 Broadway, highlighting the participation of director Oliver Stone, actors Michael Douglas, Shia LaBeouf, and Charlie Sheen, as well as numerous high-profile New York socialites making cameos as extras. The document bears a 'HOUSE_OVERSIGHT' stamp, suggesting it was included in a document production for a congressional investigation.
This document appears to be a narrative draft or diary entry written by a former publicist of Michael Douglas (possibly Peggy Siegal, though unnamed in text) describing a day spent as an extra on the set of the film 'Wall Street 2'. The text details interactions with high-society figures like Julia Koch, Amy Fine Collins, and Hamish Bowles, as well as the film's director Oliver Stone and actor Michael Douglas. It captures the social dynamics of the set and includes a subsequent lunch meeting with prominent media figures at The Monkey Bar.
This document is an email dated March 4, 2011, from publicist Peggy Siegal to an assistant named Stephanie, with the instruction to forward it to Jeffrey Epstein. The content is a detailed 'Oscar diary' describing high-profile parties attended by celebrities, including the Governor's Ball, the Vanity Fair party, and a party at Guy Oseary's house. The text notably mentions an interaction where Donald Trump ('The Trumpster') offers Siegal a ride home on his private plane.
This document, stamped HOUSE_OVERSIGHT_025876, contains a list of probing biographical and investigative questions directed at Jeffrey Epstein. It covers his early life, education, time at Bear Stearns, high-profile connections (Clinton, Barak, Google founders, Princess Diana), real estate holdings (Paris, Manhattan), and allegations regarding 'Jack Shacks' and police investigations in Palm Beach. The questions appear to be prepared for an interview or deposition, specifically referencing media profiles by Vanity Fair and New York Magazine.
This document is a narrative account, likely written by a publicist (consistent with Peggy Siegal's style), describing a day of filming for the movie 'Wall Street 2' on October 21st (likely 2009). The author details organizing high-society figures like Julia Koch, Amy Fine Collins, and Hamish Bowles to appear as extras in a party scene directed by Oliver Stone. The text also mentions a subsequent lunch at The Monkey Bar with a group referred to as 'The Harpies,' including Barbara Walters and Liz Smith, and an interaction with Graydon Carter.
This document is a diary entry or narrative log (likely by Ghislaine Maxwell given the context of the House Oversight files) detailing the filming of the movie 'Wall Street: Money Never Sleeps' in New York around November 2009. The text describes the author's participation as an extra alongside high-society figures and celebrities like Michael Douglas, Charlie Sheen, and Prince Dimitri of Yugoslavia at locations including the Shun Lee Restaurant and 25 Broadway. It includes gossip about cast interactions, costume details, and the author's personal relationship with Chuck Pfieffer.
This document appears to be a narrative entry or article draft describing a day of filming for the movie 'Wall Street 2' in New York City on October 21st. The narrator, acting as an extra, describes the high-society figures present on set, including Julia Koch (wife of David Koch), various fashion editors, and the director Oliver Stone. The text details interactions at the filming location at 41 East 65th Street and a subsequent lunch at The Monkey Bar with prominent media figures like Barbara Walters and Graydon Carter.
This document appears to be a set of preparatory questions for a deposition or interview, directed at an individual implied to be Jeffrey Epstein ('JEE'). The questions probe into his connections with figures like Graydon Carter and Alan Dershowitz, media profiling by magazines, and highly sensitive personal activities, including daily massages from 'Jack Shacks' with 'happy endings' in Palm Beach. A confidentiality notice at the end indicates the communication is the property of 'JEE' and provides an associated email address, jeevacation@gmail.com.
Description of Epstein's home interior, mentioning menservants and framed eyeballs.
Consultation regarding a piece about Epstein.
Epstein expressed doubts about public profile; Carter suggested moving to Queens 2 bedroom to avoid publicity
Narrator tells Carter that Oliver Stone wants him in the movie as an extra (a lie). Carter jokes he only works with lines.
Narrator lies to Graydon claiming Oliver Stone wants him in the film as an extra.
Narrator lies to Carter saying Oliver Stone wants him as an extra; Carter jokes he only works with lines.
Carter assigned Vicky Ward a story about Epstein.
Epstein said he was having second thoughts about being a public figure.
Carter advised author not to go to Epstein's house or accept a ride in his car.
Inviting Graydon Carter to set for a scene.
Flurry of calls to get Graydon to set immediately.
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