This document appears to be a page from a memoir or manuscript included in House Oversight files. It details the narrator's interactions with a producer named Scott, discussing a comedic stage piece about atheism, Scott's theatrical workshops attended by The Doors' drummer John Densmore, and the production of a satire show titled 'Peter, Paul and Harry' featuring Peter Bergman and Harry Shearer at the Museum of Contemporary Art. The text focuses on the creative arts scene rather than illicit activities.
The document is a narrative excerpt titled 'Remembering Scott Kelman,' bearing a House Oversight Bates stamp. It details the professional history and close friendship between the narrator (a stand-up satirist) and producer Scott Kelman, covering performances in New York (1962) and the opening of the Wallenboyd Theater in Los Angeles (1984). The text describes their living arrangements in Venice Beach and Kelman's philosophy on theater and life.
This document appears to be a page from a narrative manuscript or essay titled 'The Mime and the Pacer.' It describes the narrator mimicking a man known as 'The Pacer' at the Wallenboyd Theater and provides cultural observations of Venice Beach, referencing Don Johnson and Linda Lovelace. The page is stamped 'HOUSE_OVERSIGHT_015182,' indicating it is part of a larger collection of evidence reviewed by the House Oversight Committee.
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