Discussing the use of a commercial exchange agent versus a gallery for art purchases to ensure confidentiality and manage sales tax risks.
This document is a fragment of correspondence, likely an email from an advisor named Heather, discussing high-value art transactions with a client named Leon (likely Leon Black). The text details Leon's preference for using a specific commercial exchange agent rather than a gallery to maintain strict confidentiality during the purchase of Cezanne paintings and a previous purchase of a Calder. The author discusses the sales tax implications, the agent's New York resale certificate status, and plans to verify audit risks with a lawyer from the firm Herrick.
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