This document appears to be a page from an autobiography (likely by former Israeli PM Ehud Barak, based on the mention of 'sayeret comrades' and Nechemia Cohen) included in House Oversight files. The text reflects on the cultural atmosphere of Tel Aviv in July 1967 following the Six-Day War and analyzes the author's own personality traits, specifically his emotional reserve and 'aloofness,' which critics later labeled as a 'touch of Aspbergers.' The page bears a House Oversight Bates stamp, indicating it was gathered as part of an investigation.
| Name | Role | Context |
|---|---|---|
| The Narrator (implied Ehud Barak) | Author/Subject |
Describing his personality, military service ('sayeret'), and rise to public prominence.
|
| Nechemia Cohen | Soldier/Comrade |
Mentioned as a tragedy/death the narrator internalized.
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| The Beatles | Musicians |
Mentioned regarding a vetoed performance in Tel Aviv.
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| Name | Type | Context |
|---|---|---|
| Ministry of Education |
Israeli government body that vetoed the Beatles concert.
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| Sayeret |
Israeli Special Forces (referenced via 'sayeret comrades').
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| Kirya |
IDF Headquarters (referenced via 'officers in the kirya').
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| House Oversight Committee |
Implied by the Bates stamp 'HOUSE_OVERSIGHT'.
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| Location | Context |
|---|---|
|
Primary setting described in 1967.
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Country context.
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Street in Tel Aviv compared to London or Paris.
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Comparison for consumer comforts.
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Comparison for consumer comforts.
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Atmospheric comparison.
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Atmospheric comparison.
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"No intrinsic artistic value"Source
"And their concerts provoke mass hysteria."Source
"I seemed so self-contained, reluctant to engage emotionally with people beyond a circle of close friends or confidants."Source
"that I had a 'touch of Aspbergers' in me"Source
Complete text extracted from the document (2,626 characters)
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