HOUSE_OVERSIGHT_027946.jpg

2.33 MB

Extraction Summary

3
People
4
Organizations
7
Locations
3
Events
2
Relationships
4
Quotes

Document Information

Type: Manuscript / book excerpt / evidence file
File Size: 2.33 MB
Summary

This document appears to be a page from an autobiography (likely by former Israeli PM Ehud Barak, based on the mention of 'sayeret comrades' and Nechemia Cohen) included in House Oversight files. The text reflects on the cultural atmosphere of Tel Aviv in July 1967 following the Six-Day War and analyzes the author's own personality traits, specifically his emotional reserve and 'aloofness,' which critics later labeled as a 'touch of Aspbergers.' The page bears a House Oversight Bates stamp, indicating it was gathered as part of an investigation.

People (3)

Name Role Context
The Narrator (implied Ehud Barak) Author/Subject
Describing his personality, military service ('sayeret'), and rise to public prominence.
Nechemia Cohen Soldier/Comrade
Mentioned as a tragedy/death the narrator internalized.
The Beatles Musicians
Mentioned regarding a vetoed performance in Tel Aviv.

Organizations (4)

Name Type Context
Ministry of Education
Israeli government body that vetoed the Beatles concert.
Sayeret
Israeli Special Forces (referenced via 'sayeret comrades').
Kirya
IDF Headquarters (referenced via 'officers in the kirya').
House Oversight Committee
Implied by the Bates stamp 'HOUSE_OVERSIGHT'.

Timeline (3 events)

1967
Six-Day War
Israel
July 1967
Post-Six-Day War atmosphere in Tel Aviv.
Tel Aviv
The Narrator Israeli Public
Unknown (Past)
Death of Nechemia Cohen
Unknown
Nechemia Cohen The Narrator

Locations (7)

Location Context
Primary setting described in 1967.
Country context.
Street in Tel Aviv compared to London or Paris.
Comparison for consumer comforts.
Comparison for consumer comforts.
Atmospheric comparison.
Atmospheric comparison.

Relationships (2)

The Narrator Comrades Nechemia Cohen
Refers to 'tragedies like the death of Nechemia Cohen'.
The Narrator Military Service Sayeret Comrades
Mentioned as a group who would have taken note of his character.

Key Quotes (4)

"No intrinsic artistic value"
Source
HOUSE_OVERSIGHT_027946.jpg
Quote #1
"And their concerts provoke mass hysteria."
Source
HOUSE_OVERSIGHT_027946.jpg
Quote #2
"I seemed so self-contained, reluctant to engage emotionally with people beyond a circle of close friends or confidants."
Source
HOUSE_OVERSIGHT_027946.jpg
Quote #3
"that I had a 'touch of Aspbergers' in me"
Source
HOUSE_OVERSIGHT_027946.jpg
Quote #4

Full Extracted Text

Complete text extracted from the document (2,626 characters)

Chapter Seven
If you’d visited Tel Aviv in July 1967, you would have sensed a new spirit
of confidence, not cockiness exactly, but a sort of spring in the collective step.
This was not just due to the Six-Day War. It was because the city, if not yet the
rest of the country, had shed the economic austerity of Israel’s first two decades
and was beginning to experience at least some of the consumer comforts which
Western Europe, or America, took for granted. But we were still a decade away
from the first shopping malls, or the upscale cafés and restaurants which
nowadays give places like Dizengoff Street, a few blocks back from the
seafront, the feel of London or Paris on a summer’s day. Television had been
introduced only a year before the war. Color TV was still nearly a decade away.
I can’t say I was surprised to learn, when the archives were opened a few years
ago, that a committee of moral arbiters in our Ministry of Education vetoed
plans for the Beatles to perform in the city. “No intrinsic artistic value,” they
pronounced. “And their concerts provoke mass hysteria.”
Even in Tel Aviv, and certainly the rest of Israel, a kind of cultural austerity
still prevailed, an emphasis on modesty and self-restraint. It was a legacy of
1948, a reflection of the years of shared sacrifice, physical labor, and the life-
and-death struggles which I, like most Israelis at the time, had experienced
within our own lifetimes. That may help explain why I can remember no one
remarking on an aspect of my character which, once I rose to public
prominence, would attract attention, frequent comment, and sometimes
criticism as well: the fact that I seemed so self-contained, reluctant to engage
emotionally with people beyond a circle of close friends or confidants. My lack
of smalltalk, and the kind of gladhanding and schmoozing that are the currency
of political life. At the time of the 1967 war, I was not yet a public figure. Yet to
the extent those around me would have taken note – family, university
classmates, sayeret comrades, or officers in the kirya – my slight emotional
aloofness, my focus on simply getting things done, and the way I internalized
setbacks, even tragedies like the death of Nechemia Cohen, was not exceptional.
It was, in many ways, simply Israeli.
Yet as Israel, Israeli society and my place in them changed, it would be
suggested to me more than once – not always kindly, when it was from critics or
rivals – that I had a “touch of Aspbergers” in me, a reference to those on the
more benign reaches of the autism spectrum with a special facility for math,
98
HOUSE_OVERSIGHT_027946

Discussion 0

Sign in to join the discussion

No comments yet

Be the first to share your thoughts on this epstein document