This document appears to be page 92 of a manuscript or memoir, stamped by the House Oversight Committee (likely from the Epstein investigation). The text is a first-person philosophical reflection on the after-effects of using "entheogenic agents" (psychedelics), describing how they enhanced the author's aesthetic sensitivity to nature (Boboli Gardens) and art (Guggenheim Museum). The author references religious and philosophical concepts, citing Mircea Eliade, Abraham Abulafia, and Rudolf Otto to describe a state of "hierophany" or sacred revelation.
| Name | Role | Context |
|---|---|---|
| Mircea Eliade | Professor/Author |
Cited by the author; described as French, University of Chicago Professor of the History of Religions, author of 'The...
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| Abraham Abulafia | Historical Figure/Mystic |
Cited regarding the concept of an 'activated mind'.
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| Rudolf Otto | Author |
Cited for his 1917 work 'Das Helige' (The Sacred).
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| Narrator (Unidentified) | Author |
First-person narrator ('I') describing personal experiences with entheogenic agents and art.
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| Name | Type | Context |
|---|---|---|
| University of Chicago |
Affiliation of Mircea Eliade.
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| Guggenheim Museum |
Museum in New York visited by the narrator.
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| House Oversight Committee |
Implied by the Bates stamp 'HOUSE_OVERSIGHT'.
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| Location | Context |
|---|---|
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Florence, Italy; visited by the narrator.
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Florence, Italy; location of the Boboli Gardens.
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New York, NY; visited by the narrator.
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"What is seldom written about is the aftermath of chemical entheogenic agents."Source
"Lost in the experience, I found myself exclaiming to no one in particular, “I can see!”"Source
"Mircea Eliade... calls the revelation of the sacred in ordinary objects, people and events an hierophany."Source
"“...all nature is capable of revealing itself as cosmic sacrality....”"Source
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