Nam June Paik
PersonRelationship Network
Event Timeline
| Connected Entity | Relationship Type |
Strength
(mentions)
|
Documents | Actions |
|---|---|---|---|---|
|
person
Jasia Reichardt
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Curator artist |
5
|
1 |
| Date | Event Type | Description | Location | Actions |
|---|---|---|---|---|
| 1964-01-01 | N/A | Nam June Paik built Robot K-456. | N/A | View |
| 1964-01-01 | N/A | Nam June Paik builds Robot K-456. | N/A | View |
| 1964-01-01 | N/A | Creation of Robot K-456. | N/A | View |
| 1964-01-01 | N/A | Publication of Marshall McLuhan's 'Understanding Media' and Nam June Paik building Robot K-456. | Unknown | View |
HOUSE_OVERSIGHT_016980.jpg
This document appears to be a page (177) from an academic book or article discussing art history, specifically focusing on cybernetic art, kinetic sculptures, and the shift from 1960s male-dominated cybernetics to 1990s feminist techno-critique. It mentions various artists including Lynn Hershman Leeson and Judith Barry. While the content is purely academic, the page bears the Bates stamp 'HOUSE_OVERSIGHT_016980', indicating it was included as part of a document production for a House Oversight Committee investigation.
HOUSE_OVERSIGHT_016978.jpg
This document is page 175 of an academic text or book discussing the history and etymology of 'cybernetics,' referencing the year 1968 as a pivot point for the intersection of art and technology. It discusses various figures in information theory and art history, including Norbert Wiener and Nam June Paik. The document bears a 'HOUSE_OVERSIGHT_016978' stamp, indicating it was produced as evidence in a US House Oversight Committee investigation, likely related to investigations into Jeffrey Epstein's funding of scientific research (e.g., MIT Media Lab), though Epstein is not named on this specific page.
HOUSE_OVERSIGHT_016947.jpg
This document appears to be a page from an essay or book titled 'Making the Invisible Visible: Art Meets AI' by Hans Ulrich Obrist. The text explores the intersection of art and artificial intelligence, citing historical figures like Marshall McLuhan and Heinz von Foerster to argue that art acts as an 'early alarm system' for technological change. The document bears the Bates stamp 'HOUSE_OVERSIGHT_016947', indicating it is part of a larger production of documents for a congressional investigation.
HOUSE_OVERSIGHT_016397.jpg
This document appears to be a page from an academic text or book regarding art history, specifically focusing on cybernetic art, installation art, and feminist technoscience criticism. It discusses the evolution from 1960s male-dominated kinetic art to 1990s feminist critiques involving AI and robotics. While stamped 'HOUSE_OVERSIGHT,' suggesting it is part of a government production (likely related to the Epstein investigation into banks/finances), the content itself is purely academic and contains no direct references to Jeffrey Epstein, flight logs, or financial transactions.
HOUSE_OVERSIGHT_016395.jpg
This document appears to be a page (p. 175) from a book or academic paper discussing the history of cybernetics and its intersection with art in the mid-20th century, specifically focusing on the year 1968. It details the evolution of the term from James Watt to Norbert Wiener and mentions key art exhibitions by Wen-Ying Tsai and Jasia Reichardt. While the text itself is historical and academic, the footer 'HOUSE_OVERSIGHT_016395' indicates this document was included as part of the U.S. House Oversight Committee's investigation, likely regarding Jeffrey Epstein's ties to scientific institutions (such as MIT Media Lab) where such topics would be relevant.
HOUSE_OVERSIGHT_016394.jpg
This document is page 174 of a larger file, bearing the Bates stamp HOUSE_OVERSIGHT_016394, indicating it is part of a document production for a Congressional investigation (likely regarding Jeffrey Epstein's connections to MIT). The content is an academic essay titled 'The Artistic Use of Cybernetic Beings' by MIT professor Caroline A. Jones. The text discusses the history of cybernetics, Artificial Intelligence, and art, referencing figures like Norbert Wiener and Nam June Paik, but contains no direct communication or financial details regarding Epstein on this specific page.
HOUSE_OVERSIGHT_016364.jpg
This document is a page from an essay titled 'Making the Invisible Visible: Art Meets AI' by Hans Ulrich Obrist, likely part of a larger compilation submitted as evidence to the House Oversight Committee. The text discusses the intersection of art and technology, referencing Marshall McLuhan and Nam June Paik, and recounts the author's conversations with cyberneticist Heinz von Foerster regarding the complementary nature of science and art. While the document bears a House Oversight footer commonly associated with Epstein-related investigations (likely due to Edge.org connections), this specific page contains no direct mentions of Jeffrey Epstein.
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