This document is a photograph of an architectural floor plan and site layout for a large property, labeled 'MAIN HOUSE, MAIN LEVEL FLOOR PLAN'. It features topographic elevation lines and various room labels such as 'Entrance Garden', 'Courtyard', 'Port-Cochere', 'Kitchen', and 'Living Room'. There are numerous handwritten notes in blue and black ink discussing logistical details like 'Staff / Laundry?', 'Service road', 'Security', 'Lighting', and 'Guests', suggesting a review or design phase of the construction.
This document is a photograph of the back of a framed item. It features a handwritten birthday message to 'Jeffrey' dated January 20th, 2007, signed with 'LOVE' by a redacted individual. The item bears a label from 'Mireille Gallery' located on 2nd Avenue in New York City.
This document is an image containing a collection of five physical photographs laid out on a wooden floor and rug. The photographs appear to be seized evidence or personal photos. They depict scenes including a person in a Snow White costume, a group boarding a dark private jet, two women hugging, a close-up of a blonde individual, and framed artwork. The Bates stamp EFTA00001955 is visible in the bottom right corner.
This document consists of a collection of six evidentiary photographs displaying various individuals in social and domestic settings. The photos include a group of four women, three people on a red couch, an older male (likely Jeffrey Epstein) with two females outside the 'Spanierman Modern' gallery in NYC, two females on a white couch (one in swimwear), two females shopping, and a female in a Snow White costume on a staircase (likely inside Epstein's NYC mansion). All faces are redacted.
This document is a transcript page from the cross-examination of Mr. Parkinson by attorney Mr. Everdell in the case United States v. Ghislaine Maxwell (Case 1:20-cr-00330-PAE). The questioning focuses on a specific photograph of an unidentified woman found during a search of Jeffrey Epstein's house conducted by Parkinson. Everdell establishes that Parkinson did not recall finding, nor did the government present, any other photographs or video evidence of this specific woman from the search.
This document is a court transcript from August 10, 2022, capturing a discussion between a judge and several attorneys regarding the logistics for closing arguments. The conversation focuses on procedures for handling redacted exhibits and presenting sealed video evidence exclusively to the jury, not on public screens. The judge also issues a directive that counsel must not orally refer to the real names of witnesses who testified under pseudonyms.
This document is page 16 of a legal filing from Case 1:20-cr-00330-PAE, filed on October 29, 2021. The visible text outlines a proposal from the Government to protect the identities of 'Minor Victims' by not speaking their names in open court. The rationale is to prevent people in the gallery or those reading the transcript from disseminating the names online.
This document is a page from a court transcript (Case 1:20-cr-00330-PAE) involving the cross-examination of a witness named Visoski. Defense attorney Mr. Everdell introduces exhibits LV4 and LV5 under seal to protect witness identities (pseudonyms), which is accepted by Prosecutor Ms. Comey and the Judge. The jury is instructed to view the documents in their folders without showing them to the gallery.
This document is a court transcript from August 10, 2022, detailing the cross-examination of a witness named Visoski by an attorney, Mr. Everdell. During the questioning, Visoski confirms that he knew an unnamed woman shown in photographs, had spoken with her frequently enough to have her phone number, and that she frequently traveled on Mr. Epstein's planes. The proceeding involves handling sealed evidence (photos marked LV3A and LV3B) carefully to prevent its display to the gallery.
This document is a page from a court transcript (Case 1:20-cr-00330-PAE) filed on August 10, 2022. It details a procedural discussion between the prosecution (Ms. Moe), the Defense (Ms. Sternheim), and the Judge regarding the placement of screens in the courtroom to ensure evidence shown to a witness is not visible to the public in the gallery. The prosecution expresses concern about visibility for their paralegal and the public, which the Defense addresses by clarifying seating arrangements.
This document is a transcript from a court proceeding on August 10, 2022. Government counsel, Ms. Moe, raises a concern about the defense's plan to show documents to a witness on a screen that the government cannot see, making it difficult to follow. The judge (The Court) proposes a solution where the defense can use the screen as long as they verbally describe their actions, and offers the same allowance for the government to use paper documents if projection is not possible.
This document is page 56 from the book 'How America Lost Its Secrets' by Edward Jay Epstein (indicated by the filename 'Epst' and ISBN). It describes a 'CryptoParty' organized by Edward Snowden and Runa Sandvik in Honolulu on December 11, 2012. The text details the logistics of the event at the BoxJelly venue, the presence of Snowden's girlfriend Lindsay Mills, and notes that Snowden demonstrated precise knowledge of government surveillance to attendees, some of whom were his NSA co-workers. The document bears a 'HOUSE_OVERSIGHT' stamp, indicating its use in a congressional investigation.
This document appears to be a printout of a webpage or email featuring a missing image gallery. It contains a headline inviting the viewer to see a 'young artist's' works, followed by a blank box (likely a broken image link) and a House Oversight Committee Bates stamp.
This document outlines a schedule of invitation-only fashion shows and presentations for the 'Spring 2011 collection,' presumably during New York Fashion Week. It lists specific times, locations, and contact information (names, emails, and one phone number) for events by designers including J Mendel, Ralph Lauren, Helen Yarmak, Jeremy Laing, Andy & Debb, and Isaac Mizrahi. The document bears a House Oversight stamp, indicating it was part of an investigation file.
This document is a schedule or itinerary listing various events during New York Fashion Week (specifically referencing Spring 2011 collections, which typically debut in Sept 2010). It details times, locations, and contact emails for fashion shows by designers such as Vera Wang and Matthew Ames, as well as a 'Hudson Union Society' discussion event featuring Bill O'Reilly. The document bears a 'HOUSE_OVERSIGHT' stamp, indicating it was part of a document production for a Congressional investigation.
This document is an itinerary page listing various New York Fashion Week events, primarily showcasing Spring/Summer 2011 collections (implying a date of approximately September 2010). It provides details such as times, locations (including Milk Gallery-Studios and Lincoln Center), and RSVP email contacts for designers including Tom Ford, Erickson Beamon, Erin Fetherston, and Custo Barcelona. The document bears a House Oversight Bates stamp.
This document appears to be a social diary or draft article (possibly by Ghislaine Maxwell or a close associate, given the context of the document dump) detailing events during the week leading up to the Oscars in February 2012. It describes encounters with celebrities at the Beverly Hills Hotel and Chateau Marmont, and lists attendees at various high-profile parties including a Hollywood Reporter event and an art exhibition dinner. The document is stamped 'HOUSE_OVERSIGHT' indicating it was part of a congressional investigation.
This document is a press clipping of an email newsletter from Fold Gallery dated approximately October 11, 2010. It invites recipients to a private view for artist Simon Callery and notes that Callery's work is also being displayed at 'The House Of The Nobleman' exhibition located at 2 Cornwall Terrace, Regents Park, curated by Wolfe von Lenkiewicz and Victoria Golembiovskaya. The document specifically links the location 2 Cornwall Terrace to high-value art exhibitions (Picasso, etc.) during the Frieze Art Fair.
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