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This document is a Table of Contents and Table of Authorities from a legal filing. It lists sections of the document such as Opinions below, Jurisdiction, Statement, Argument, and Conclusion, along with their corresponding page numbers. The Table of Authorities section enumerates various legal cases with their citations and the page numbers where they are referenced within the main document.
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This document appears to be a page (177) from an academic book or article discussing art history, specifically focusing on cybernetic art, kinetic sculptures, and the shift from 1960s male-dominated cybernetics to 1990s feminist techno-critique. It mentions various artists including Lynn Hershman Leeson and Judith Barry. While the content is purely academic, the page bears the Bates stamp 'HOUSE_OVERSIGHT_016980', indicating it was included as part of a document production for a House Oversight Committee investigation.
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This document is a printout of page 16 from the TED2017 conference program website, dated April 20, 2017. It contains biographical information for five speakers: physicist David Brenner, photographer Levon Biss, neuroscientist Mehdi Ordikhani-Seyedlar, inventor Richard Browning, and Nobel laureate Elizabeth Blackburn. The document bears the stamp 'HOUSE_OVERSIGHT_014966', indicating it was collected as evidence by the House Oversight Committee, likely in relation to an investigation involving Jeffrey Epstein's connections to the scientific community or his attendance at TED conferences.
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This document is a biographical profile for filmmakers Jennifer Baichwal and Nicholas de Pencier. It details their professional achievements, including documentaries like 'Manufactured Landscapes' and 'Act of God,' their production company Mercury Films Inc., and lists various awards and film festival appearances. The document appears to be part of a larger House Oversight release (indicated by the footer), possibly serving as background briefing material.
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This document, part of the House Oversight Committee records (025206), contains professional biographies for filmmakers Jennifer Baichwal and Nicholas de Pencier. It details their production company, Mercury Films, and specific projects including 'Manufactured Landscapes', 'Act of God', and 'Payback'. The text outlines their awards, festival appearances (TIFF, Hot Docs), and international distribution deals, but contains no direct references to Jeffrey Epstein or illicit activities.
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This document appears to be a page from an academic text or book regarding art history, specifically focusing on cybernetic art, installation art, and feminist technoscience criticism. It discusses the evolution from 1960s male-dominated kinetic art to 1990s feminist critiques involving AI and robotics. While stamped 'HOUSE_OVERSIGHT,' suggesting it is part of a government production (likely related to the Epstein investigation into banks/finances), the content itself is purely academic and contains no direct references to Jeffrey Epstein, flight logs, or financial transactions.
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