| Connected Entity | Relationship Type |
Strength
(mentions)
|
Documents | Actions |
|---|---|---|---|---|
|
person
Narrator
|
Romantic |
6
|
2 | |
|
person
narrator
|
Romantic |
5
|
1 | |
|
person
Author
|
Friend |
5
|
1 |
| Date | Event Type | Description | Location | Actions |
|---|---|---|---|---|
| N/A | N/A | Museum visit and discussion of past romance. | Museum | View |
| N/A | N/A | A conversation between the narrator and 'The Artist' regarding their relationship dynamics. | Unknown | View |
| N/A | N/A | Hooking up/sexual encounter | San Francisco | View |
| 2025-11-22 | N/A | Narrator has breakfast with 'The Artist' while texting 'Mr. ThereItIs'. | Kitchen | View |
| 2025-11-22 | N/A | Breakup conversation where 'The Artist' decides the relationship won't work due to his desire for... | Kitchen | View |
| 2025-11-13 | N/A | Creation of a drawing titled 'The Labors of Hercules' | Unknown | View |
| 2011-01-01 | N/A | The artist standing next to his works | Unknown | View |
A page from a personal narrative or blog (marked as House Oversight evidence) recounting romantic interactions with two individuals referred to by pseudonyms: 'Mr. ThereItIs' and 'The Artist'. The text details an email exchange regarding sexual hesitation ('kinkiness') with the former, and a closure-seeking museum visit with the latter.
This document appears to be a page from a manuscript or memoir (likely by a victim or associate, found in House Oversight documents) discussing personal relationships and sexuality. The narrator recounts a conversation with a man referred to as 'The Artist' who establishes boundaries, and reflects on her mother's fears that being sexually forward will lead to her being used by men. The text explores themes of the Madonna/Whore complex, female autonomy, and the narrator's desire to define her sexuality on her own terms.
This document appears to be a personal narrative, blog post, or diary entry stamped as evidence by the House Oversight Committee. The author reflects on the complexities of their polyamorous lifestyle, detailing a breakup with a long-term partner ('The Artist') who desires a traditional, stable life, while simultaneously navigating an uncertain dynamic with a newer partner ('Mr. ThereItIs') who is anxious about their BDSM activities. The text explores themes of settling down versus living an unconventional life.
This document appears to be a printout of a personal blog post or essay titled 'Fear, Loathing, and S&M Sluthood in San Francisco.' The narrator describes their emotional connection to San Francisco, recent travels (Africa, Chicago, Burning Man), and exploration of BDSM parties and dating. The text specifically details a shifting relationship with a long-time friend referred to as 'The Artist,' moving from a cerebral friendship to a sexual relationship. The document is marked with the Bates stamp HOUSE_OVERSIGHT_018526.
This document appears to be an exhibit page from a House Oversight Committee investigation, indicated by the Bates stamp 'HOUSE_OVERSIGHT_020780'. The page features a caption for an image that failed to load or is missing, describing a drawing titled 'The Labors of Hercules' created by an unnamed artist when they were 13 years old.
This document page, stamped HOUSE_OVERSIGHT_020776, contains a caption for a photograph that is not visible on the page. The caption describes an unnamed artist standing next to their works in 2011 at the age of 8.
Discussion where The Artist tells the narrator she is 'wonderful and beautiful' but implies a separation or boundary.
"That puff of a cigarette looked mighty tasty."
"I needed it to relieve my feelings of being watched from the bus,"
Discussion about ending the relationship due to divergent life goals.
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