Event Details

This document appears to be a page from an academic text or book regarding art history, specifically focusing on cybernetic art, installation art, and feminist technoscience criticism. It discusses the evolution from 1960s male-dominated kinetic art to 1990s feminist critiques involving AI and robotics. While stamped 'HOUSE_OVERSIGHT,' suggesting it is part of a government production (likely related to the Epstein investigation into banks/finances), the content itself is purely academic and contains no direct references to Jeffrey Epstein, flight logs, or financial transactions.

This document appears to be a page (177) from an academic book or article discussing art history, specifically focusing on cybernetic art, kinetic sculptures, and the shift from 1960s male-dominated cybernetics to 1990s feminist techno-critique. It mentions various artists including Lynn Hershman Leeson and Judith Barry. While the content is purely academic, the page bears the Bates stamp 'HOUSE_OVERSIGHT_016980', indicating it was included as part of a document production for a House Oversight Committee investigation.