HOUSE_OVERSIGHT_016397.jpg
Extraction Summary
9
People
5
Organizations
1
Locations
3
Events
1
Relationships
3
Quotes
Document Information
Type:
Academic text / art history analysis (attachment in house oversight file)
File Size:
Summary
This document appears to be a page from an academic text or book regarding art history, specifically focusing on cybernetic art, installation art, and feminist technoscience criticism. It discusses the evolution from 1960s male-dominated kinetic art to 1990s feminist critiques involving AI and robotics. While stamped 'HOUSE_OVERSIGHT,' suggesting it is part of a government production (likely related to the Epstein investigation into banks/finances), the content itself is purely academic and contains no direct references to Jeffrey Epstein, flight logs, or financial transactions.
People (9)
| Name | Role | Context |
|---|---|---|
| Tsai | Artist |
Creator of entities classed as 'vegetal' or 'aquatic' in the realm of cybernetic art.
|
| Nicolas Schöffer | Artist |
Associated with 'cybernetic architectures'.
|
| Hans Haacke | Artist |
Moved toward manipulation of data with 'Real-Time Systems' works by 1972.
|
| Donna Haraway | Author/Theorist |
Author of the 1984 polemic 'A Cyborg Manifesto'.
|
| Paik | Artist |
Referenced regarding 'creaky gender theater' (likely Nam June Paik).
|
| Pask | Theorist/Artist |
Referenced regarding 'creaky gender theater' (likely Gordon Pask).
|
| Ihnatowicz | Artist |
Creator of 'innocent creatures' (likely Edward Ihnatowicz).
|
| Lynn Hershman Leeson | Artist |
Creator of 'Dollie Clone Series' (1995-98), 'CyberRoberta', and 'Tillie, the Telerobotic Doll'.
|
| Judith Barry | Artist |
Creator of 'Imagination, Dead Imagine' (1991).
|
Organizations (5)
| Name | Type | Context |
|---|---|---|
| Howard Wise |
Gallery/Stable for artists.
|
|
| GRAV |
Collective in Paris (Groupe de Recherche d’Art Visuel).
|
|
| German Zero Gruppe |
Art collective known for light and plastic gyrations.
|
|
| Radical Software |
1970 journal with feminist founders.
|
|
| House Oversight Committee |
Implied by footer 'HOUSE_OVERSIGHT', indicating the source of the document production.
|
Timeline (3 events)
Locations (1)
| Location | Context |
|---|---|
|
Location of the collective GRAV.
|
Relationships (1)
Women artists emerging in the 1990s... perhaps more inspired by... Donna Haraway’s inspiring 1984 polemic
Key Quotes (3)
"Knowing machines were dumb and incapable of emotion, these creators were confident in staging frank simulations."Source
HOUSE_OVERSIGHT_016397.jpg
Quote #1
"The 'innocent' technosphere established by male cybernetic sculptors of the 1960s was, by the 1990s, identified by feminist artists as an entirely suffusive condition demanding our critical attention."Source
HOUSE_OVERSIGHT_016397.jpg
Quote #2
"Hershman Leeson produced 'dolls' as clones, offering a critical framing of the way contemporary individuation had become part of an ideological, replicative, plastic realm."Source
HOUSE_OVERSIGHT_016397.jpg
Quote #3
Discussion 0
No comments yet
Be the first to share your thoughts on this epstein document